Saturday, October 8, 2016

“Masks, Puppets & Games," Healdsburg Center for the Arts though October 16

In a group exhibition intermingling the visual arts, performance and games, 11 artists ponder opposing vantage points: 

The one who wears a mask versus the person who views the mask, puppets versus the puppeteers and players on opposing sides of a game. The show includes etchings, mixed media assembled and sculpture.

Detail of a work by Caren Catterall. Image courtesy of the Healdsburg Center for the Arts. 


Healdsburg Center for the Arts, 130 Plaza St., Healdsburg. (707) 431-1970, www.healdsburgcenterforthearts.com. 11 a.m.-5 p.m., Sunday, Monday, Wednesday and Thursday and 11 a.m.-6 p.m., Friday and Saturday. Closed Tuesdays.

Wednesday, October 5, 2016

We Players' production of Shakespeare’s “Romeo & Juliet” at Villa Montalvo, Saratoga, October 6-16

We Players’ production of William Shakespeare’s “Romeo & Juliet” opens Thursday, October 6  at the Montalvo Arts Center in Saratoga. This limited run of just seven performances continues through Sunday, October 16. Directed by Ava Roy with an original score by Charlie Gurke.

Photo by Tina Case

Taking place on the grounds of Villa Montalvo, the production immerses audience members in a 360-degree performance experience as they physically move with the actors throughout the landscape from the garden terrace to inside the village and more.

Photo by Lauren Matley
    


Photo by Tina Case


Performances:

5 p.m., Thursday October 6
5 p.m., Friday, October 7
Noon and 5 p.m., Sunday, October 9 (Sold out)
5 p.m., Thursday, October 13
Noon and 5 p.m., Sunday, October 16


Montalvo Arts Center, 15400 Montalvo Road, Saratoga (408) 961-5800, Box office: (408) 961-5858, www.montalvoarts.org





“Root Connection: 20 Years of the Patti Smith Collection” at the Mills College Art Museum and the F.W. Olin Library, Oakland, through December 11

The Mills College Art Museum presents, “Root Connection: 20 Years of the Patti Smith Collection,” an exhibition of rare materials from the Special Collections of the F.W. Olin Library, also at Mills College.

Patti Smith, (1970) by Linda Smith Bianucci. Courtesy of The Patti Smith Collection, F.W. Olin Library, Mills College

Co-curated by Dr. Stephanie Hanor, Mills College Art museum director, Janice Braun, library director and special collections curator at the F.W. Olin Library, and Robert Byler, collector and Smith donor, the exhibit takes place at both the museum and in the Heller Room of the library. 

The show includes photographs featuring Smith, as well as those taken by her, music, recordings, poetry, publications and ephemera, which demonstrate the range of Smith’s experimentation and talents as an artist.

Patti Smith prom photograph. Courtesy of The Patti Smith Collection, F.W. Olin Library, Mills College

Visitors can hear Smith’s readings and music at listening stations, see personal items including a prom photo, concert announcements, album art, broadsides and international versions of her published works. There's also a screening room showing short films in which Smith introduces the people, places and cultural momentssuch as Robert Frank and New York’s punk scene in the ‘70sthat rouse and inform her practice.

Patti Smith at the Palladium, New York, (1976) by Mario F. Monti. Courtesy of The Patti Smith Collection, F.W. Olin Library, Mills College. 

Through December 11. Mills College Art Museum, 5000 MacArthur Blvd., Oakland. (510) 430-2164, www.mcam.mills.edu. Hours: 11 a.m.-4 p.m., Tuesday-Sunday and 11 a.m.-7:30 p.m., Wednesday. Admission is free for all exhibitions and programs unless noted.


“Yellow Face” at Firescape Theatre, S.F. through October 30

In his semi-autobiographical play, “Yellow Face,” David Henry Hwang takes an acerbic look at race, cultural identity, politics and the media in America through a mix of personal accounts and wild imaginings.

L-R: David Henry Hwang (Jeffrey Sun, who also directs), HYH (Alfonso Faustino) and Leah Anne Cho (Jennifer Vo and other characters) in "Yellow Face." Photo: Firescape Theatre

Both humorous and poignant, the story centers around the events that transpire after Hwang mistakenly casts a white male, Marcus G. Dahlman, as an Asian man in one of the leading roles of his play. Hwang also explores the relationship with his father, HYH.



L-R: Marcus G. Dahlman (Roman Moretti) and HYH (Alfonso Faustino). Photo: Firescape Theatre
Through October 30. Tickets: $15-$30.
Firescape Theatre
The Beverly Hills Playhouse of San Francisco
414 Mason St., Ste. 502, S.F. (415) 449-1919, www.bhpsanfrancisco.com


Thursday, September 29, 2016

Pacific Grove: Monarch butterflies, a lighthouse and more

One of my favorite weekend destinations is the small community of Pacific Grove, located on Monterey Bay. The fall and winter months make the best time to visit. The tourist crowds are gone and the weather remains beautiful. Through the following posts, take a journey to some of the treasured spots there.

-Stephanie Wright Hession

The coast along Pacific Grove




The Gosby House Inn, Pacific Grove

By Stephanie Wright Hession

Sitting in the parlor of this 1887 Victorian bed-and-breakfast in downtown Pacific Grove, with its flickering fire, tapestry settee and classical music playing in the background, one expects Colin Firth in full Mr. Darcy attire to appear in the doorway. OK, wrong century and country, but the genteel nature of the Gosby House Inn, amid a quaint seaside community, evokes such daydreaming.

The Gosby House Inn. Photo by Stephanie Wright Hession

The Gosby House contains 22 rooms, each with a distinct decor. They include the Jim Jim, a petite room with a queen-size bed and an outside entrance and the Carriage House, a separate, two-story building offering superior king guest rooms with a fireplace, large spa tub and a private balcony. 
The Jim Jim Room. Photo courtesy of the Gosby House Inn


We made our way up the inn's main staircase to the Harper Margaret room, spacious, light-filled accommodations. Inside, a comfortable, king-size bed featured a scrolled headboard and lemon-hued, printed bedding. A pair of upholstered, wing back chairs in front of the windows provided an ideal perch to view Lighthouse Avenue and see a slip of the ocean.
The Harper Margaret Room. Photo courtesy of the Gosby House Inn
The lobby is also the breakfast room, where guests serve themselves from a buffet that includes a hot entree such as quiche or blueberry pancakes, fresh fruit, a fresh baked good, juices, coffee and tea. The inn also offers breakfast in bed for an additional fee of $10 per day by advance request. In the afternoon, complimentary carafes of red and white wine are set out next to trays of savory hors d'oeuvres. Guests settle in on the couch, at tables or in the parlor next door.

The pretty garden behind the inn contains flower boxes and beds filled with fuchsias, ivy geraniums and hydrangeas.
The garden at the Gosby House Inn. Photo courtesy of the Gosby House Inn
Pacific Grove is an idyllic and very walkable coastal community with a small-town atmosphere and stunning ocean views. It's dotted with graceful Victorians, pastel-colored cottages, art galleries, restaurants and boutiques.

Nose around the fountains, statuary and adorable gift section of Miss Trawick's Garden Shop, savor the sunset from the Recreation Trail or enjoy tasty American fare at the Red House Cafe or several other wonderful restaurants. Nature lovers will enjoy the monarch butterfly sanctuary and marine life.

The daily breakfast buffet is 8-10 a.m.; the hors d'oeuvres and wine are served from 4:30-6:30 p.m. No smoking, children welcome. There's no private parking but free, overnight street parking is available on side streets next to the inn. Although we slept peacefully, light sleepers should opt for rooms facing the garden since Lighthouse Avenue gets noisy at times. The attentive staff and charming atmosphere make the Gosby House Inn a pleasurable place to stay.

Gosby House Inn, 643 Lighthouse Ave., Pacific Grove. (800) 527-8828, www.gosbyhouseinn.com. Standard rates $120 to $300; Dogs are welcome to say in a pet friendly room by prior approval and advance reservation. 





Point Pinos Lighthouse holds an intriguing history

By Stephanie Wright Hession

Strolling past windswept trees and approaching the white cottage and tower housing the Point Pinos Lighthouse near the southern entrance of Monterey Bay, you'll find no hint of its dramatic history. But after stepping inside the oldest, continually operating lighthouse on the West Coast—first lit in 1855you'll learn about some of the fascinating women who once called it home.





Charlotte Layton didn't set out to become a pioneering lighthouse keeper but she did so in 1856, after Anastacio Garcia shot and killed her husband Charles. As Point Pinos' first lighthouse keeper he also made up part of a Monterey County sheriff's posse pursuing Garcia. Layton suddenly found herself a widow with four children and no prospects. At the time, grizzly bears roamed the land and the area possessed a Wild West atmosphere. Layton became the first female lighthouse keeper and continued until 1860, when she married her assistant lighthouse keeper, George Harris, and they traded jobs.

Another woman, Emily Fish, the widow of doctor Melancthon W. Fish, took the reins of Point Pinos in 1893. Instead of inheriting the position because of her husband's death, she actually applied for the post, with the assistance of her naval officer son-in-law, who worked for the U.S. Lighthouse Board. Accompanied by her Chinese servant, she brought a sophisticated ambience to Point Pinos, decorating the living quarters with antiques, fine china and silver. Her fondness for entertaining garnered her the nickname the Socialite Keeper.

A self-guided tour of the lighthouse reveals the 19th century parlor containing chairs topped with needlepoint cushions, an ornately carved piano, a fireplace and floral curtains. It's easy to imagine Fish hosting a graceful evening here for guests including artists, writers and naval officers. From 1893 to 1914, she kept meticulous logs, which visitors can view today. One of her most compelling set of entries documents the 1906 earthquake, which damaged the lighthouse tower.


Fish beautified the sandy grounds surrounding the lighthouse by covering the area with topsoil and planting trees, grass and other vegetation. She also ventured into farming and kept an array of animals, from French poodles to Holstein cows. Today, some of the landscaping remains but it's difficult to find traces of the farm.

Back on the tour, the kitchen displays historical exhibits and books. A cellar features stations demonstrating how the light works at Point Pinos and who invented it. Maritime fans will delight in learning the workings of the third-order Fresnel lens, which consists of prisms, lenses and a mechanism. Made in France and shipped around Cape Horn, its beehive arrangements of glass prisms gathers the light and directs it out to the ocean.

Invented by French physicist Augustin-Jean Fresnel, the design allows more light to shine through, enabling ships to see the lighthouse from several miles away. Originally lit by a lantern fueled by whale oil, the light was regularly blocked by a falling weight mechanism that moved a metal shutter around it. It would eclipse the light for 10 seconds and then the light would shine for 20 seconds. By creating this distinct signature, a ship's crew would recognize the location.

Point Pinos Lighthouse offers a wonderful glimpse into 19th century California maritime history. Allow an hour to take the self-guided tour, chat with the docents and browse the books for sale. Outside, settle in on one of two wooden benches and gaze at the expansive vistas of the sea. No need to worry about grizzly bears.


Point Pinos Lighthouse: 80 Asilomar Ave., Pacific Grove. Open 1-4 p.m., Thursday-Monday. $1-$2 donation. www.pointpinoslighthouse.org

Monarch Grove Sanctuary, Pacific Grove

By Stephanie Wright Hession

On an early fall morning, butterfly enthusiasts arrive at the Monarch Grove Sanctuary in Pacific Grove eager to spy the thousands of black-and-orange creatures wintering at the sanctuary from October through March. They often use high-powered binoculars to see the clusters of monarchs high in the eucalyptus trees, where leaves camouflage the underside of their wings.




A cluster of monarch butterflies. Photo courtesy of the Pacific Grove Museum of Natural History

The seemingly fragile beauties travel more than 2,000 miles to get to Pacific Grove, flying 100 miles per day, at altitudes up to 10,000 feet. They mate in February and in the fall, the fifth generation of these butterflies will return. Although theories abound, no one knows for certain how their descendants find their way back.

Residents of Pacific Grove, a city affectionately known as Butterfly Town, U.S.A., diligently protect them. In 1990, voters approved a $1.2 million bond to purchase 2.7 acres of land, preventing it from being developed and creating the Monarch Grove Sanctuary.


Late morning to early afternoon, once the temperature reaches more than 55 degrees, provides the optimal conditions to see the butterflies. That's when they warm their muscles in the sun and take flight in search of nectar. While at the sanctuary, visitors must follow a butterfly etiquette that includes remaining on the designated paths, being watchful of the ground where monarchs may alight and leaving the butterfly clusters undisturbed.

Monarch Grove Sanctuary: Open dawn to dusk. Ridge Road between Lighthouse Avenue and Short Street, Pacific Grove. Free. (831) 648-5716, http://bit.ly/2a6iKgl

Wednesday, September 21, 2016

“Cynthia Tom: Stories to Tell: Discards & Variances,” opens Friday, Sept. 23 at Gallery Route One, Point Reyes Station

By Stephanie Wright Hession

In the solo exhibition, “Cynthia Tom: Stories to Tell: Discards & Variances,” the Surrealist painter and mixed media artist focuses upon the tragedy of human trafficking through the personal experiences of her Chinese American family. Uncovering the disturbing details of her grandmother, father and mother’s lives spurred Tom to honor them through her work. 



Detail, Hom Shee Mock installation by Cynthia Tom


Featuring Surrealist paintings, found object sculpture and mixed media works placed in a haunting, darkened space, she addresses the issue of human trafficking and abuse prevalent in the San Francisco’s Chinese community before the 1950s and takes a look at the issue, which continues to occur in the San Francisco Bay Area today.


"Heading Home," acrylic on canvas by Cynthia Tom

She reveals secret stories to convey the resiliency of the human spirit, to honor women and to embolden individuals to harness their power to effectively change lives in positive ways. Tom also asks the viewer to ponder how they can help end modern-day slavery.


"If Umbrellas could protect," an installation by Cynthia Tom


Opening events on Sunday, Sept. 25 include an artist talk with Tom and Marto at 2:30 p.m. and an opening reception for all galleries at 3-5 p.m.

Also running concurrently at the Gallery Route One Outer Galleries: “Diana Marto: Golden Room, Canto XXV,” and “T.C. Moore: Reflections.”

Through October 30. Gallery Route One, 11101 Highway One, Suite 101, Point Reyes Station. (415) 663-1347, www.galleryrouteone.org. Hours: 11 a.m.-5 p.m., Wednesday-Monday; Closed Tuesdays.
All images courtesy of Cynthia Tom



Monday, September 19, 2016

Push Up Something Hidden presents “SoMa Now and Then,” a new dance-walking tour choreographed and performed by Joe Landini, November 12-December 4 in S.F.

The Push Up Something Hidden (P.U.S.H) dance company presents “SoMa Now and Then.” A dance performance and walking tour, it's led and performed by artist Joe Landini, who recounts personal stories and uses choreographed movement, to tell of his journey through the SoMa neighborhood and the transition of its queer culture, from when leather ruled to the current tech boom atmosphere.

Conceived and directed by Amy Lewis, the founding artistic director of P.U.S.H., with choreography by Landini, the one-hour dance-walking tour begins at the Eagle Tavern in SoMa.

Artist Joe Landini. Photo by Robbie Sweeny


"SoMa, Now and Then," corresponds with the San Francisco Board of Supervisor's preliminary plans to designate a section of the SoMa neighborhood as a "LGBTQ Social Heritage Special Use District," on Folsom Street between 3rd and 12th streets. It's part of an effort to preserve the history of the area as a base for the city's leather community at a time when iconic gay nightlife venues have closed. 

3 p.m., Saturday and Sunday, November 12 through December 4. Tour begins at Eagle Tavern, 398 12th St., S.F. Tour limited to 25 ticket holders. For mature audiences due to language and imagery. 

Tickets" $20 per person. (800) 838-3006, www.brownpapertickets.com/event/2590135